The Diary of an American Au Pair
by Marjorie Leet Ford
List Price: $13.00
Pages: 352
Format: Paperback
ISBN: 1400032644
Publisher: Anchor Books
After losing her advertising job in San Francisco and canceling her wedding (though not her engagement) to an overprotective artist, Melissa heads off to a new job as au pair to the family of a member of Parliament. She harbors grand illusions about life in England, but the vaguely aristocratic Haig-Ereildoun household falls far short of Melissa's imaginings. Philippa Haig-Ereildoun refers to Melissa as "her American girl" with a mixture of pride and contempt, expects her to bathe in cold water already used by the children, and, most importantly, entreats Melissa to "try to speak as we do." Heaven forbid the children should pick up an American accent!
But then there is Nanny, the gloriously eccentric octogenarian who raised Mrs. Haig-Ereildoun, who offers comfort and much comic relief; nine-year-old Trevor, Melissa's charge, whose wisdom and companionship relieve many a lonely day; and Simon, a young scientist who couldn't be more different from her fiancé.
In the spare moments between her labors, Melissa confides the family idiosyncrasies and her own romantic musings to her diary; the result is an unforgettably entertaining and delightfully sharp-sighted comedy of manners.
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1. How does Melissa convey her physical surroundings in the houses she lives in and visits so that the reader is able to share the experience? What does she love and what does she hate about the weather, the landscape, and the material aspects of her life in the British Isles? Why do the British in the novel seem to place less value on physical comfort than Americans?
2. How well does Ford convey the sensibility of a certain type of young woman: twentysomething, college-educated, naïve, romantic, and literary? Does the reader actually feel that he or she is reading Melissa's diary? If so, how does Ford achieve this realism?
3. If Mrs. Haig-Ereildoun dislikes the American accent and American speech patterns so much, why has she hired an American to care for her children [pp. 4, 10–11, 46, 243]? How does this apparent inconsistency of intention reflect on Mrs. Haig Ereildoun's character and motivations? Does Melissa come to understand the roots of her employer's anger and unhappiness?
4. Is Melissa's character admirable? What about her approach to her difficult situation? Do her strengths reflect her American upbringing, or are they simply a matter of temperament and adaptability?
5. The two main female characters in the novel seem somewhat old-fashioned in their approach to feminine roles. Mrs. Haig-Ereildoun didn't take a first-class degree at Oxford so as not to outdo her husband-to-be [p. 150], while Melissa says, "I do love it, though, when the man pays for everything" [p. 176]. How important for the story is the fact that Melissa begins to earn money from her writing and is able to launch a new career as a food writer?
6. Considering Melissa's loving relationship with Claire, why would Mrs. Haig-Ereildoun admit that had she known that Claire would be born deaf she would have had an abortion [p. 191]?
7. In what ways does the novel suggest that the Haig-Ereildouns, while members of the so-called ruling class, have been left behind by British society? How do the Haig-Ereildouns' relationships with their servants reflect their allegiance to older ways? How does Mrs. Haig-Ereildoun in particular try to make Melissa feel that she is of an inferior social class?
8. Does the role of au pair inevitably put a young woman into a position of rivalry with the older woman for whom she is working? Does Mrs. Haig-Ereildoun see Melissa as a feminine rival with whom she has to compete for the love of her children and even, possibly, her husband? Melissa is a woman whose life is just beginning, while Mrs. Haig-Ereildoun seems to be embittered and disappointed. If this is the case, is jealousy the most natural explanation for Mrs. Haig-Ereildoun's appalling treatment of Melissa?
9. Choose one particularly funny passage or episode, and discuss how its comic effects are achieved. Why is Melissa (and by extension the author) so good at making the people and situations she observes seem funny?
10. Considering that Mrs. Haig-Ereildoun's expectations of Melissa's services far exceed what they agreed upon and that Melissa isn't being paid for much of the work she is doing, why doesn't she quit? In sticking to her original plan of staying for six months, is she being mature or masochistic? Is she asking too much of herself, or is she giving herself a valuable experience?
11. How is Simon different from Tedward? What does he recognize as valuable in Melissa? How does Melissa come to realize that she shouldn't marry Tedward and that she doesn't need to (despite her assertion on p. 190)?
12. If we think of the novel as having a plot similar to that of the fairy tale of Cinderella, what is the reward for Melissa's patience and humility? Is there a reason that she undergoes this trial? What does she learn? How satisfying is the novel's ending, considering all that Melissa has gone through?
13. One reviewer noted that Ford has created, "in the most charming, gleeful way, a work of comparative anthropology" [The Observer (London), April 29, 2001]. What are the critical differences between American and British cultural behavior as observed by Melissa, and as demonstrated by her interactions with her employers and British friends? Does the novel suggest that the cultural divide is unbridgeable, or, on the contrary, insignificant in regard to the things that really matter?
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"Beguiling. . .wryly details the great divide between Brits and Americans. . .a sweet charmer."
—Kirkus Reviews
"Brings to life a charming character suffering from culture shock."
—NY Daily News
"Her eye is as deadly as her nature is forbearing; her dissection of the goings on in those cold castles and manors is so funny you can't help but wonder if the real-life people will dare read it, and we as readers are just lucky the put-upon au pair girl didn't walk out."
—Diane Johnson
"Majorie Leet Ford had written a touching, gentle account of life amongst those peculiar people who seem to flourish in Britain's unlikely corners. This is a refreshing work, rich in the sort of social observation which lifts a book from the realm of light fiction into something much more satisfying."
—Alexander McCall Smith
"What a pleasure to discover these charmingly complex characters--a displaced American braving the chill of the British Isles and a glacially inconsiderate employer/mom who could have sprung from Dickens. Marjorie Leet Ford's novel is rich, sweet, funny, intelligent, and utterly satisfying."
—Elinor Lipman
"A romantic comedy with a biting literary edge"
—Books Magazine, London
"In the most charming, gleeful way, a work of comparative anthropology."
—The Observer, London
"A character we're prepared to stick with."
—The Times, London
"[W]ell written, insightful and amusing. . .definitely deserves a place in your holiday bag. (4 stars)"
—Heat magazine, London
"The reader chuckles knowingly as Melissa struggles with the idiosyncracies of British life."
—The Guardian, London
"More than just another romantic comedy, this is the story of a sassy American who cancels her wedding to the safest man ever, in favour of heading for the UK to work as an au pair–a move she soon begins to regret."
—OK Magazine, UK
"This utterly delightful first-person account of American au-pair Melissa's time spent amongst the aristocracy has the charm of a latter-day 'Love in a Cold Climate'. . .with gentle wit and acute perception. . .Melissa recounts the everyday eccentricities of an upper-class family whilst weaving the story of her own romances: with England, with food and, particularly, with an Englishman."
—Hello, London
